Teresa, an orphaned Chilean woman, found its way to Buenos Aires at age 20 to your workplace being a maid that is live-in. For many years she’s struggled to obtain the family that is same handling family members and increasing the household’s son, Rodrigo. Now, nonetheless, she’s confronted with the outlook of the great upheaval. Amidst Argentina’s financial woes, her company is forced to downsize – she actually is attempting to sell her household and will no further manage to spend Teresa. Rodrigo, now grown-up and hitched, is with in no place to either employ her. But as – after decades of solution – she actually is a trusted and valued worker, a strategy is hatched to deliver Teresa 1000 kilometers across Argentina so that you can work with Rodrigo’s in-laws in San Juan.
A change of this magnitude is difficult to come to terms with – not to mention the arduous bus journey for a woman in her mid-50s.
Things have a change for the worse when her coach breaks down and – amidst further problems herself stranded in some nowhere-place in the desert– she finds. Her encounter using the travelling trader “el Gringo”, whom unlike her never really pay origins anywhere and it is residing a totally various type of life, challenges her views by what “living” means and what to anticipate from life.
This film – which has run at many festivals, including Cannes – is a quiet road movie as is probably already evident from the plot description. Plus it has all that you’ve come to anticipate through the most useful movies of the genre, including a sluggish rate and cinematography that is outstanding.